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Thu, Nov 17

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Lefty's Live Music

Exhumed / Hulder / Vitriol / Molder / Traffic Death at Lefty's Live (Des Moines)

Death metal legends EXHUMED come to Des Moines Nov 17 with Hulder / Vitriol / Molder / Traffic Death at Reverb Lounge

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Exhumed / Hulder / Vitriol / Molder / Traffic Death at Lefty's Live (Des Moines)
Exhumed / Hulder / Vitriol / Molder / Traffic Death at Lefty's Live (Des Moines)

Time & Location

Nov 17, 2022, 8:00 PM

Lefty's Live Music, 2307 University Ave, Des Moines, IA 50311, USA

About the event

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Black Heart Booking presents...

Exhumed - metal brutal death metal death metal deathgrind goregrind from San Jose, CA

https://exhumed.bandcamp.com/

https://www.facebook.com/ExhumedOfficial

Hulder - black metal / medieval black metal from Portland, OR

http://Hulder.bandcamp.com/

https://www.facebook.com/HulderUS

Vitriol - extreme metal from Portland, OR

https://www.facebook.com/vitriolwarfare

https://vitriolwarfare.bandcamp.com/

Molder - Pus riddled death metal from Joliet, IL

https://molderil.bandcamp.com/

https://www.facebook.com/MolderIL

Traffic Death - high speed, violent crossover 4 piece featuring ex-members of Black Market Fetus

https://trafficdeath.bandcamp.com/

https://www.facebook.com/TrafficDeath

Thursday, November 17, 2022

Lefty's Live Music

21+ Event

ADV $15 / DOS $20

Doors at 7 PM / Show at 8 PM

EXHUMED Bio:

Oozing forth from the most fetid crevasses of the seamy underbelly of the San Francisco Bay Area in the summer of 1991, the reeking entity collectively known simply as Exhumed was conceived by six-string sinew-shredder Matt Harvey and casket-krusher Col Jones. Jones and Harvey had been planning to make their acrid assault on the Metal scene since 1990, when they were in an abortive early incarnation of Exhumed with fellow high school sophomores Rocky Torrecillas and Peter Rossman. Exhumed began to play Grindcore/Death Metal (as opposed to the more Kreator/Death-influenced direction favored originally) as an outgrowth of Harvey and Jones' other project, Constipated Gut, which began as a result of the duo's obsessive admiration for the initial slew of Earache releases.

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