IV and The Strange Band / Telekinetic Yeti / White Hills / Benjamin Charles Freeman at Reverb Lounge

Get Tickets!

Event Page

Black Heart Booking presents:

IV and the Strange Band - country/blues & stoner/doom from Nashville, TN https://ivsonofiii.bandcamp.com/ https://ivandthestrangeband.com/ https://www.facebook.com/IVsonofIII

with:

Telekinetic Yeti - Psych / Doom / Sludge from Iowa https://telekineticyeti.bandcamp.com/ https://www.facebook.com/telekineticyetiband

White Halls - Experimental / Psychedelic / Jam from New York https://whitehills.bandcamp.com/ https://www.facebook.com/WHITEHILLSBand

Benjamin Charles Freeman - Outlaw country bummer jams, dirges, and odes to whiskey from Lincoln, Nebraska; just a man and his guitar https://www.facebook.com/BenjaminCharlesFreeman https://benjamincharlesfreeman.bandcamp.com/

Saturday August 6 at Reverb Lounge All Ages Show / $15 advance / $20 day of show Doors at 8 PM / Show at 9 PM

BIO:

"Patience is a virtue." Those words are tattooed across Coleman Williams' right arm, forever reminding the alternative-country singer/songwriter of the benefits of taking one's time.

The lesson wasn't always so clear. As the great-grandson of Hank Williams Sr., grandson of Hank Williams Jr., and only son of Hank 3, Coleman spent years waging an internal battle with the expectations thrust upon him by his own lineage. He represented the fourth generation of country music's most legendary family — hence his nickname, "IV" — and the pressure to launch his own career was enormous. Although Coleman would eventually make his mark with Southern Circus — the genre-bending debut from his band, IV and the Strange Band, combining southern storytelling and country textures with 100-watt guitar amps and DIY attitude — he needed to break free first and discover his own musical approach along the way.

"Before I even knew who I was, people were already expecting things of me," he says. "It felt like there was zero freedom of expression for someone with the last name 'Williams.' Singing about a bloodline didn't appeal to me, though. I wasn't interested in fitting into a shadow that already existed. What did appeal to me was the underground scene in Nashville."

Coleman became a fierce champion of Nashville's house-show circuit as a teenager, drawn in by the scene's supportive spirit and DIY ethics. This was a community that valued principles over pedigrees. A community that offered artists of all stripes a place to express themselves. From punk shows to heavy metal gigs to electronic experiments, Coleman loved it all… and for the first time in his life, he felt like he belonged somewhere.

"I was a weird kid who grew up in an unusual situation," he says. "When I began going to house shows in Nashville, I felt like I'd found a family of people whom nobody else wanted — kids who were different and misunderstood — and during these two-hour shows, everyone belonged, everyone felt accepted, and everyone had a place. The experience taught me to trust my instincts. It gave me a new sense of independence. I have to believe that's why Hank Williams made music, too; he could see what it did for people."

Inspired to blaze his own trail, Coleman left town after high school and traveled across America, developing musical tastes that were as diverse as the country itself. Over the decade that followed, he became a history buff, a poet, a metalworker, and an educator. Back home in Nashville, he continued his lifelong practice of writing songs, developing the unique sound — a blend of the amplified and the acoustic, laced with fiddle one minute and heavy guitars the next — that would later fill Southern Circus. Coleman took his time. He wanted the sound to be right. Patience is a virtue, after all.

Local producer Jason Dietz became a fan of Coleman's songs, prompting the two to begin collaborating. Guitarist David Talley joined them, as did banjo player Daniel Mason and drummer Carson Kehrer. All five musicians (along with fiddler Laura Beth Jewell and steel player, John Judkins who both appear on the record) came from different musical backgrounds, but they worked together to build something new, using Coleman's acoustic tunes as the blueprint for a southern sound that was soothing one minute and strident the next. An album began taking shape. Just shy of his thirtieth birthday, Coleman Williams made his long-awaited debut with "Son of Sin," a single that was released in 2021 by IV and the Strange Band.

"I like to say, 'What doesn't kill you makes you stranger,'" he explains. "I love strangeness and I love my Strange Band. The most genuine people in this world are those who allow themselves to be the weirdos they truly are, because once you repress yourself, that's when you become someone you're not."